There are several red herrings, but nothing really new (although it is slightly tongue in cheek). Kristen Cloke [the Director's wife] pops up, claiming to be the elder sister of one of the missing girls ... The girls won't leave their friends, which explains a suicidal action towards the end.
This is a remake of a little-known 1974 cult classic pre- Halloween slasher. James Morgan , best known for starting the Final Destination franchise, delivers another tongue-in-cheek horror film. It's gruesome, about an eyeball-eating cannibal.
Bob Clark , best known for starting the Porky's franchise, delivers a nail-bitingly suspenseful horror film. It is regarded as a classic, and supposedly inspired Halloween . However, it avoids the conventions that modern slasher films have developed. The killer doesn't have a mask, or a backstory.
This is basically another example of the new trend in horror films - Torture Porn. Anyone who's seen Wolf Creek won't get any surprises. The only thing that really stands out about this film is the fact that making the inbred villagers Brazilian [instead of Scottish, Appalachian or whatever] makes it liable to accusations of racism!
This owes a lot to the 1970s film Death Line , about murderous inbred cannibals living in a disused Victorian tunnel. And when we finally see the killer ... There's a damn torture porn scene!
The title, along with the plot, appears stolen from a story in 2000AD. A bald ugly mutant murdered people in the Undercity, a maze of tunnels beneath Mega-City One (Home of Judge Dredd ). In truth, the movie seems a mix of both these sources - but it would be nice to see credit given where it is duely deserved!
The couple are menaced by a couple of men in masks and boiler-suits. Cut-price Jasons, really. It's all a bit lightweight, compared to other slasher films. It has its moments, but it's really not a very impressive film.
This film in particular has come in for a lot of criticism. Instead of being over-empowered, as in Buffy the Vampire Slayer , the heroine is a generic damsel in distress. Worse, it's part of the torture-porn sub-genre.
The director is apparently an Academy Award winner. Unfortunately, this film is so bad that ... Let's just accept that the plot is so full of holes and the film is so deeply flawed that the unfortunate director must be well past his best.
A bunch of gorgeous young women got for a night out in Austin, Texas. At the bar they meet up with the likes of barman Quentin Tarantino and regular Stuntman Mike [Kurt Russell - The Thing, Escape From New York ].
14 months later, in Tennessee;
Zoe Bell, Tracie Thoms, Marie Elizabeth Winstead, Rosario Dawson go for a drive along some quiet country roads ...
Shia LeBoeuf [ Transformers ] punches his teacher, and the police put him under house arrest for the summer holidays. His mother [ Carrie Anne Moss ] cancels his X-Box subscription, so he has nothing to do but spy on his sexy new neighbour, Sarah Roemer .
Unforunately he begins to suspect that his other neighbour, David Morse [ Green Mile ], is a serial killer! This leads to all the predictable scenes, as the police don't believe him and he tries to get proof ...
The climax involves Shia being stalked by a thug in a boiler-suit. Yet another Jason Vorhees rip-off, one may suppose, but it works quite well. And while we see the killer's torture tools, this doesn't descend into torture porn. All in all, it's a well-paced suspense thriller for a younger audience.
During the night, their local friend tells them a gruesome campfire tale about the Borstal's horrible past. And in the morning, the deranged killers from his story start to pick the kids off, one by one.
This was the great hope for the Northern Ireland film industry. Unfortunately, the characters are completely stereotypical and two-dimensional, the story is cliched and the ending is predictable. There's a lot of repetition - we get a long build-up of suspense, followed by a loud sound-effect to make the audience jump! All in all, a great disappointment!
This has a bigger budget than the original, but is more tongue-in-cheek ... Leatherface gets a love interest!
Our protagonists, brother and sister, drive along a remote country road. They pass a site where Texas Police are excavating a newly-discovered Body pit. Someone has murdered dozens of people. They run into friendly cowboy Tex (Viggo Mortensen - Lord of the Rings ), and take a shortcut along a road that isn't even on the map.
Things liven up when they meet Survivalist Ken Foree (token black guy in Dawn of the Dead - the kind of role that these days would be played by Tony Todd or even Samuel L Jackson). There is also the Last Girl from a previous group of victims.
This might be the third (and least original so far) of the series, but it is still very watchable. It is just as suspenseful as the similarly-plotted Jeepers Creepers , but much less disappointing.
Leatherface is now a tame, harmless crossdresser, and there are only a couple of scenes with chainsaws. It's hardly a massacre! The brains and brawn of the family is Matthew McConaughey [ Reign of Fire ], who is a decent actor but due to the mediocre cinematography is less than threatening.
Despite the pair of big-name stars, this is a low-budget effort from BEFORE they were famous! It's very poorly made, and the stars have disowned it. No wonder that the series had to revert to a remake of the original! This is the weakest of the series that I've seen. The remakes didn't come out soon enough! A pity the treacherous Darla [ ] didn't get more of a career afterwards.
The main story starts twenty years later, when the 1970s original gives way to the 21st century era of video-streaming smart-phones. Alexandra Daddario and a couple of friends visit her family's property. Yes, she is the heir to the psycho hillbilly family!
The story evokes every cliche that Joss Whedon mocked in the previous year's amazing Cabin in the Woods . In comparison, the most original thing about this film is the casting of Tania Raymonde , who acquits herself very admirably in the cliched slut role, which is unlike anything she has played before.
The ending is particularly vile. The moral centre of the film has to decide - is a cannibalistic serial-killer worse than a sleazy redneck? Who is the REAL villain? And should any of us care?
The story starts with ten-year-old Michael Myers getting bullied by drunken step-dad Ronnie [William Forsythe - Virtuosity ] and schoolboy thug Darrell Sabara [ Spy Kids ]. Myers also enjoys torturing small animals, so School Principal Richard Lynch [ Galactica 1980 ] calls in child psychologist Dr Loomis [Malcolm McDowell - Tank Girl ]. Unfortunately, this just sets the little creep on a kill-crazy rampage!
Michael ends up in a mental institution staffed by nurse Sybil Danning , janitor Danny Trejo [ Spy Kids ] and security guard Leslie Easterbrook . Yes, that's right - Callaghan from Police Academy. Which should give you some idea of the quality of the security that is meant to keep Myers from getting loose. After almost 2 decades of incarceration, Myers has grown from a chubby boy with long girlie hair into a seven-foot-tall giant with superhuman strngth and long, rock-star hair. Naturally, he massacres the entire staff and then goes home ...
Loomis and Sheriff Brad Dourif [ Alien: Resurrection ] must save the townsfolk from the kill-crazy maniac. The sex-crazed teenagers include a familiar face from the original series. The sheriff's daughter is Danielle Lloyd [who, despite being about 30 years old in reality, can pass for 17 years old in this film].
The original film's Michael Myers was a genuinely creepy, terrifying character. Unfortunately as the series developed he became more like the lumbering thug he had inspired - Jason Voorhees. And now Michael has been reinvented as a slasher with too much backstory who kills without reason ... Michael Myers is the core of the film. And since the makers didn't get Myers right, the film has no chance of working.
The Sheriff (Beau Starr - Northern Exposure ) has his own SWAT team. Yes, he's been preparing for this night. But Dr Loomis lets his obsession with Michael take over.