As a youngster he was inspired by the local Yiddish theatre in the Bronx. Aware that his natural accent would hold him back, he copied the English accents of characters in early talkie movies. Although the show does not mention them, Kirk Douglas and Tony Curtis both had similar backgrounds. A pity that he did not get the chance to work with them, perhaps in the Laurence Olivier role of Crassus in Spartacus (1960) .
Harris' big break seems to have been a regular supporting role in a 1950s TV show of The Third Man, where he played a criminal sidekick to Harry Lime (Michael Rennie - The Day The Earth Stood Still ).
Finally, Harris won the role that made him famous. Showrunner Irwin Allen agreed to give him the SPECIAL Guest Star credit, the first time this had ever been done. Harris modified the villainous character, to make him more comedic and likeable. This also gave the Robot and Will Robinson something to do. As a result, the trio became the focus of the show.
The show was due to be given a fourth Season, but was mysteriously cancelled while on hiatus. Harris never got away from the shadow of Dr Smith, but this did not concern him. After all, he was selective about the roles he accepted.
In the 1970s and 80s, Harris did voice-over work including Baltar's minion in Battlestar Galactica (1978) . Later he was in a couple of John Lassiter's animated movies ( A Bug's Life (1998), Toy Story 2 (1999) ).
Finally, there was a Lost In Space revival in 1997. Harris turned down the opportunity to appear in the reboot movie Lost In Space (1997) because he would not settle for a cameo role.
This film features interviews with the actors, and follows them around a bit as they try to earn a living. They may seem to have a precarious existence, since they are technically self-employed and certainly lack job security. However, they seem to be happy with their lifestyle, and the film has an air of hope to it.
Some of the controversies are mentioned. For example, there is friction between the more mainstream actors (who got a line or two of dialogue) and the background artists. There is something of a snobbishness about the idea of getting an official credit in the movie.
It is above the level of the average docudrama, which is probably the lowest form of documentary ever created. The drama bits have actors rather than mere extras. For example, Lord Byron is a young-looking Stephen Mangan ( Dirk Gently ).
Friedkin started his career in the US TV industry, then moved into documentary film-making before making features. He never went to film school, which sets him apart from his contemporaries - Lucas, Spielberg, DePalma, Coppola, Scorsese .
The film really gets going when it becomes a behind-the-scenes look at the UK comics industry. The editorial staff managed to get the comic creators more
Just as 2000AD was created as an imitation of movies, the story comes full circle when post-Apocalyptic worlds and Dystopian futures became mainstream in Hollywood scifi movies. For example, Robocop (1987) was a better Judge Dredd film than the Sylvester Stallone effort in 1995. Other dystopian efforts mentioned in the movie include:
In truth, perhaps we can blame 2000AD for the main problem in modern Science Fiction. The year 2000 was once the time we looked forward to, when everyone would have a flying automobile. But now it has been and gone, and Sci-Fi has become synoymous with Apocalypse and Dystopia. It is the 1970s all over again, perhaps due to the Iraqi occupation instead of the Vietnam police action. Today we have Jack Bauer instead of Harry Callaghan.
The clips act like flashbacks, providing a background to their relationship. Brooks is a comedic performer, always in character. Meanwhile, in the modern day he takes Yentob to meet his old writing partner Carl Reiner (best known these days as father of Rob).
Despite Brooks being a performer, we do get to see some of the real him. His working relationship with Yentob, which has spanned almost four decades, allows him to relax and show his unguarded self. Unfortunately this makes the insertion of previous work to be padding.
Wil Wheaton ( Star Trek: TNG ) speaks for science fiction fans in general when he says what a tribute the movie was to Sci-Fi fandom itself. The basic story is about some out-of-work actors who used to be on a Sci-Fi TV show (itself a blatant parody of Star Trek: The Original Series ) who are pulled into working with some cosplaying fans. The twist is ... the fans in question are real-life aliens who believe that the TV show is a series of historical documents.
The documentary then goes on to explore the pre-production woes of the movie. The original director was going to be Harold Ramis ( Ghostbusters (1984) ), and the lead role was going to be filled by someone like Bruce Willis ( Die Hard (1988) ) or Mel Gibson ( Braveheart (1995) ). Yes, it could have been a very different movie instead. When Tim Allen ( Toy Story ) was cast in the lead role, the next stage was to select the rest of the cast. Many of those cast members have gone on to do much bigger roles since then, which is a good indicator of what an amazing cast it was.
The studio put so much faith in the project that they had the alien makeup created by Stan Winston's company (who worked on the Predator franchise) and the spaceships were done by ILM (created by George Lucas so he could make Star Wars ). Yes, this may be a comedy but it has the quality of a full-on space adventure movie.
There are a lot of anecdotes about Alan Rickman ( Die Hard (1988) ), who passed away in 2016. He may have been out of place in some respects, but he was liked and respected by the other cast members.
If there is one notable absence is its that fact that everyone is interviewed except for Robert Shaw, who played rascally old sea dog Quint in the movie. Unfortunately Shaw died only a few years after the film was released, and because of this there was no footage of him commenting on his behind-the-scenes experience.
There are no great revelations in this, beyond the fact that Joan Rivers' only contribution was a day's work doing a voice-over in post-production.
We meet Hughes (Leonardo DeCaprio - ) when he is throwing his vast inheritance into an insane Hollywood movie project - a war movie entitled Hell's Angels. He even hires a new business manager (John C Reilly - Gangs of New York ) to look after his financial affairs. When Hughes realises that he needs specific weather conditions to film his movie, a meteorologist (Ian Holm - Lord of the Rings ) gets dragged into the mix.
While making the film, Howard becomes obsessed with the airplanes featured in it. He puts his passion into this new project, eventually perfecting a flush-riveted monoplane that wins the world speed record. Later, when America enters the Second World War, he competes for lucrative government contracts.
The movie also delves into Howard's love life. He discovers Jean Harlow ( Gwen Stefani ), and later has a doomed affair with Katherine Hepburn ( Cate Blanchett ). Finally he hooks up with Ava Gardner ( Kate Beckinsale ). Unfortunately, Howard's controlling tendencies can be quite destructive to his relationships.
Things come to a head when Hughes becomes boss of Trans-World Airlines. Juan Trippe (Alec Baldwin - ), head of rival airline PanAm, plots with a corrupt senator (Alan Alda - ). They give Hughes a taste of his own medicine, removing his privacy and putting him under FBI surveillance the same way he kept the women in his life under constant watch. The only way that Hughes can win is if he manages to fly his impossibly large airplane, cruelly nicknamed the Spruce Goose.
There is one down side to the film. We see that Hughes starts with OCD tendencies, which make him a perfectionist in both film-making and airplane design, and leads into his sadly inevitable mental decline. However, in this particular movie his tendencies seem to be so exaggerated as to be almost comical.
Bruce Lee is a martial arts teacher and wannabe actor in San Francisco, who makes zero-budget movies with his friend (Terry Chen - Continuum ). He teaches his skills to everyone who wants to learn, regardless of race. This is regarded as anathema by certain members of the Kung Fu community. In modern terms it would be regarded as cultural appropriation. So when the Shaolin Master, Wong Jack Man, comes to town Bruce Lee is concerned.
The film has a major subplot involving a relationship between a white man, one of Lee's kung fu students, and a Chinese waitress. This boils over as the Triads get involved in Bruce Lee's situation. They pressure him and Wong Jack Man into staging a public duel, so that the Triad can run a gambling book on the outcome.
In the final act, the waitress is held hostage by the Triad gang. This is not a case of the white man becoming the saviour. He is merely a conduit for story-telling. Bruce Lee and Wong Jack Man dominate every scene they are in.
The director has a few Hollywood movies under his belt, but is not known for Chinese kung fu action scenes. However, this film features a few decent fight scenes with homages to both Bruce Lee's 1970s chop-socky films like Enter the Dragon and the more recent wire-fu genre films like Crouching Tiger, Hidden Dragon .
We start with Bruce Lee as a young boy in Hong Kong, where he was haunted by a vision of impending doom. This vision returns at the story's climax, which sets the background for the tragic ending.
Young Bruce grows up to look like Jason Scott Lee. In real life Bruce was five foot seven, thin as a rake, while Jason is tall and muscular – the idealised version of the legend. He easily wins a series of fights against multiple opponents, but .
In San Francisco, Bruce starts attending college. He sets up a dojo to train local students, including Michael Cudlitz ( The Walking Dead ). He even starts to date his first female student, Linda ( Lauren Holly ). The spectre of White Racism is ever-present, for example his mother-in-law's unwillingness to accept a Chinese son-in-law. However, the Chinese community's elders are also unhappy at his refusal to segregate.
While Bruce's fights against multiple opponents were shown almost for laughs, the one-on-one matches against skilled Chinese practitioners are shown as incredibly serious affairs. However, this is version of events is potentially slanderous because it portrays the Chinese martial arts community's champion as dishonorable.
After overcoming many difficulties, Bruce teams up with a TV show's producer (Robert Wagner - The Towering Inferno (1974) ). Not only does Bruce get cast as Kato in The Green Hornet , but he also helps create the TV show Kung Fu. The good news is that he started a career that made him a film star, and made the chop-socky movie industry become a global phenomenon. The bad news is that he may have removed the previous stereotype of Asians, such as Mickey Rooney in yellow-face make-up as comedy relief, but he replaced it with the chop-sockey stereotype. Also, he was replaced as star of Kung Fu by a white man - allegedly because the mainstream US audience was not ready to accept a Chinese star.
Bruce's relationship with his young son Brandon features strongly in the film's second half. This underlines the ultimate tragedy of the story. The closing credits sequence informs us that Bruce Lee died at the age of 32 ... but the film itself is dedicated to his son Brandon, who also died at a young age shortly before the film was completed.
There seems to be an over-representation of Irishmen in the film. The band's agent is Aiden Gillen ( Game of Thrones ), while a couple of Freddy's boyfriends have Northern Ireland accents. One of them is a Dubliner faking it, but the other one is from Portadown.
The record executive who declares that Bohemian Rhapsody will never be the song that teenagers can crank up the sound in their car and bang their heads to is played by none other than Mike Myers from Wayne's World.
The band's two science fiction movie albums, Flash Gordon (1980) and It's A Kind Of Magic (the soundtrack to Highlander (1985) ), are not mentioned. However, the haunting melody Who Wants To Live Forever is played as Freddy starts to fall into his personal decline.
Based as it is on a true story, the events seem to match up to the traditional three-act structure. Everything builds towards a climax as Freddy has to get the band back together in time for Live Aid - not only the biggest concert of their careers, but probably the biggest concert in human history.
Milne was a veteran of the First World War, having served in the trenches as an officer himself. When he returned home after the war, he and his wife ( Margot Robbie ) settled into a quiet life in a nice house in the English countryside. However, the wife was a socialite who would rather spend her time partying in London. Milne himself was often locked away in his study, writing. Young Christopher Robin spent most of his time with his nanny ( Kelly MacDonald ).
We get an account of a somewhat miserable childhood fraught with abandonment, as the adults in his life tried to live lives of their own.
His neglected wife, Peggy Carter ( Hayley Atwell ), spends the weekend with their children in the countryside. Mr Robin seems to have ditched DC (his mother was Harley Quinn in Suicide Squad ), and gone with Marvel when choosing a wife.
Winnie the Pooh and Milne's other characters come to visit their old friend. The result is a somewhat old-fashioned film. Lots of slapstick ensues.
Greg (Dave Franco - Nerve ) is a wannabe actor who teams up with an auteur named Tommy Wiseau (James Franco - Spider-Man ). Their acting careers are unsuccessful, so they decide to make a movie together.
The ending shows the original footage beside the re-shot scenes, and ironically it seems that the original cast were actually more attractive than the more established ones.
A few years later, the FBI has relocated Hoffman in California. His next-door neighbour turns out to be John DeLorean (Lee Pace - Guardians of the Galaxy ), a famous American automobile manufacturer. DeLorean plans to mass-produce and mass-market the greatest sports car in the world, but his company runs into financial problems. He turns in desperation to his friend and neighbour, Hoffman. This results in the FBI targeting the car designer with an entrapment sting.
This was written by Ulsterman Colin Bateman , whose previous film was the disappointingly overblown effort The Journey. Ironically, although the car was made in the greater Belfast area this movie does not feature any scenes set there.
The good news? The car may not have turned out the way Delorean intended, but it was immortalised in the SciFi franchise Back to the Future (1985) .
Barrie's imagination is engaged as he plays with the boys, and he is inspired to write his greatest work - Peter Pan .
The boys' father died of throat cancer. Now their mother takes a turn for the worse, and they face losing the only parent they have left. She is in denial, and does not want to face the horrible truth. Meanwhile, Barrie's marriage disentigrates as his wife feels he has abandoned her.
Hitch decides to adapt Robert Bloch's novel, Psycho , into a big-screen horror movie. Supported by his secretary Peggy ( Toni Collette ) he hires screenwriter Joseph Stefano (Ralph Macchio - Karate kid). They have to get around the censor, Geoffrey Shurlock (Kurtwood Smith - Robocop (1987) ).
The core of the movie concerns Hitch's troubled marriage to Alma ( Helen Mirren ), a skilled screenwriter who is the power behind the throne. She is distracted by her friendship with fellow writer Whitfield Cook (Danny Huston - American Horror Story ). Hitch's own extramarital distractions are mentioned, specifically his obsession with the actress Vera Miles ( Jessica Biel ).
Errol Flynn (Duncan Reghr - V: the Series ) arrives in Los Angeles, USA in the 1930s. He makes new friends, and hangs out with an old buddy (Darren McGavin - Night Stalker (1975) ). It is all very PG-rated, even the Spanish Civil War.
The climax of the story is the Religious Right's attempt to prosecute Flynn. They fit him up on a morality charge, and try to convict him of statutory. Of course, this movie makes him out to be entirely blameless.
This is a biopic about the creator of Wonder Woman . It covers his interest in bondage and the invention of the lie detector, both of which are thematically represented by Wonder Woman's lasso of truth.
One of the three children, Olivia, passes away. This leaves the family torn apart.
The grieving couple pay a visit to Roald's old headmaster (Geoffrey Palmer - ). He is a bible-thumper, who insists that there are no pets in the Xian afterlife. According to him, animals have a different afterlife. But how can it be heaven if there are no puppies in it?
This movie is based on a biography of Ms Neal. While Dahl's work may have stood the test of time, his wife was the more successful of the couple at the time. As a result, this story may be about him but it is from her perspective.
There is a happy ending, of sorts. Roald goes on to write his greatest work, Charlie and the Chocolate Factory . Meanwhile, Patricia's agent Marty Ritt (Conleth Hill - Game of Thrones ) lands her an audition with Paul Newman (Sam Heughan - Bloodshot (2019) ) for what becomes an Oscar-winning part.
Elton John (Taron Egerton - Kingsman ) joins an Addicts Anonymous group, and regales them with the story of his life. This starts with his relationship with his mother ( Bryce Dallas Howard ) and father (Stephen Mackintosh - Underworld ). Later he becomes a successful with his song-writing partner Bernie ( ), and has an unhappy gay love affair with John Reid (Richard Madden - Game of Thrones ).
The film this best resembles is Bohemian Rhapsody . It covers very similar territory, that of a real-life British rock star as he hits the big time and comes out as gay in the 1980s. Even the disasterous affair with the manipulative manager is included. If they were not both true stories, it would be easy to assume one film was copying the other.
Zuckerberg was hired by the Winklevoss Twins (Armie Hammer - Man from UNCLE (2015) ) and their friend (Max Mingella - Handmaid's Tale ) to build a website. He then takes their idea, an updated version of MySpace or Yahoogroups, and makes his own version ... The Facebook!
Things start to take a turn for the worse when Zuckerberg starts to hang out with Sean Parker (Justin Timberlake - In Time (2011) ). Eduardo gets pushed out of the inner circle, hence the legal hearing used as a framing device for the story.
Despite being based on Eduardo's version of events, this is quite a balanced view.
The battle scenes are few and far between. There are touches of inspiration, such as a German flame-thrower standing in for Smaug the fire-breathing dragon in The Hobbit , but basically it is just every World War One cliche thrown together.
Finally, after Tolkien's part in the war is ended, he has to deal with his grief. Eventually he starts to write the works for which he became famous.
Vita becomes the inspiration for Virginia's novel Orlando , about an immortal person who changes gender over the course of several centuries.
In real life, Mark's guardians are all female. This is reflected in his fantasy life with his diverse barbie dolls, who reflect the women in his life. They include his African-American physiotherapist ( Janelle Monae ), his Russian social worker ( Gwendoline Christie ), his Latina kitchen cow-orker ( Eiza Gonzalez ) and the red-headed new neighbour Nicol ( Leslie Mann ).
The fantasy violence is two-dimensional, devoid of consequences because the fictional Nazis always regenerate. However, it all takes place under the shadow of the real-life attack the protagonist suffered. His lawyer regularly phones him with reminders to attend the sentancing hearing of his attackers.
Nicol has a jerkish ex-boyfriend Kurt (Neil Jackson - Blade: The Series ), paralleled by the arrival of a doll of SS General Kurt Meyer. Kurt accuses Mark of being a White supremacist pedophile, while Mark stereotypes Kurt as the same.
Sayers discovers that some of the long-term patients who are believed to be catatonic or practically brain-dead are suffering with a form of encephalitis. When he starts to work with Leonard Lowe (Robert Deniro - Mary Shelley's Frankenstein ), Sayers discovers that the patients are not brain-dead or catatonic. With the help of a pharmaceutical salesman (Peter Stormare - Armageddon (1998) ) he manages to find a treatment that works.
Leonard recovers from the illness that has imprisoned him for decades. He even has a love interest, Penelope Ann Miller . If she looks familiar, it is because she was also the love interest for Al Pacino in Carlito's Way a few years later.
While the treatment is effective, at the end of the Second Act we discover that the effect is temporary. The patients, as well as Sayers and his team, must confront the harsh reality that the patients will return to their chronically ill condition.
As the team are rocketing towards the moon, their spaceship is rocked by an explosion. The astronauts must rely on Ground Controller Gene Kranz (Ed Harris - The Abyss ) and his support team for advice to keep them alive. As the tension rises, Lovell's wife Marilyn ( Kathleen Quinlan ) watches from the sidelines with NASA PR man Henry Hurt (Xander Berkley - Gattacca ).
This was an oscar-worthy film by Ron Howard , based on the first-hand account by Lovell himself. These days it is most famous for not mentioning the historical contributions of top NASA mathematician Katherine Johnson, the African-American woman who calculated the return trajectory which ultimately saved the astronauts' lives. This fact was called out on the TV show Timeless , although Johnson actually got her own movie - Hidden Figures (2016) . There is another blatant historical anachronism. We see several people chewing gum, but nobody on-screen is actually smoking a cigarette.
The ground controllers Kyle Chandler ( Early Edition ) and Ciaran Hinds ( Lara Croft: Cradle Of Life (2005) ) seem to have things under control. But Armstrong's fellow astronaut Gus Grissom (Jason Clarke - Terminator: Genisys (2016) ) discovers that there are a lot of risks involved.
Finally, Armstrong and Buzz Aldrin (Corey Stoll - The Strain ) set off on the Apollo 11 mission. We know how it will end, so only the highlights are shown, but there is an incredible sense of awe as we see it from a new perspective.
The story should be about the womens' achievements, but in fact most of the movie is about invented problems. The boss (Kevin Costner - Waterworld ) is a stereotypical White Saviour. His minion, Paul (Jim Parsons - ) is a crawling snob who, if we did not automatically associate him with Sheldon Cooper in Big Bang Theory would be assumed to be some kind of racist misogynist. Meanwhile, Peggy has a female boss ( Kirsten Dunst ) who treats her more like a friend than a minion, and this kind of informality is taken as unprofessional behaviour intended to imply that the boss is a closeted racist.
There is a book of the same name as this film. Unfortunately the film is not based on the book, since they were both produced at the same time. They are based on the same magazine article, and while the book is well-researched the movie is low-brow and heavy-handed. The nearest comparison would be The Butler, similarly a real-life story of a successful person which became padded out so as to encompass every different kind of event in the life of every different kind of African-American.
Lucy spends more and more time with work colleagues. A shuttle pilot (John Hamm - Baby Driver ) invites her to join the bowling team with the mission controller (Jeffrey Donovan - Blair Witch 2 ). She also discovers she has a rival ( Zazie Beets ) - and not just for a job as a shuttle mission specialist.
After the high of her spacewalk, Lucy slides into a mental decline once she is trapped in her normal life back on Earth. Lucy's downward spiral is noted by her boss (Colman Domingo - Fear The Walking Dead ). Of course, when he does something about it - as he really has to do, under the circumstances - this really just makes things worse for her.
As the story progresses and Lucy's downward spiral continues, it becomes more and more self-evident that this is based on a true story. Yes, the disclaimer in the end credits is basically untruthful.
The story focuses on the family's domestic drama. Stephen gets a new nurse ( Maxine Peake ), an attractive and flirtatious woman who he develops a relationship with.