Unfortunately, there are other hunters in the woods. Some trophy hunters with SAMs take out Air Force One, leaving the lame-duck President (Samuel L Jackson - Kingsman ) ejected in the pod from Escape From New York . His bodyguard (Ray Stevenson - Punisher: War Zone ) also makes it out ...
Naturally, the two stories collide. Two different genres meet - art-house coming-of-age story and Hollywood blockbuster shoot-em-up - and despite the schmaltz and clichés, the result is pleasantly watchable.
A group of dark-haired cave-people trek across the desert. They meet a tribe of blond-haired cave-people, and luckily they make friends.
This rips off the Dan Brown story, but it is actually one of the most watchable Mockbusters so far. It is certainly better-paced than the Tom Hanks film!
A TV company hires a team to go to the Congo and look for dinosaurs They are an English crocodile hunter, his son (think Wesley Crusher from Star Trek: TNG ), a few redshirts and a couple of unrealistically beautiful young women.
The CGI is used sparingly, which is for the best. Usually it is over-used, which stretches the SPFX budget too thin and makes the whole film look cheap. However, there is still too much of it.
The parents' mission is taken up by Robbie Amell ( Tomorrow People ) and his blonde-haired ex-GF ( Alexa Vega ) with whom he bickers constantly. In the Han and Leia school of this, this means they are destined to be together.
When the parents are declared MIA, the children must take over their mission. This was the plot of Spy Kids , except that in the earlier film the brother was Alexa Vega's and back then she was too young to have a love interest.
Victor Garber ( Alias ) rounds out the cast as the mentor figure. Also, there is a secret evil genius that is manipulating our heroes.
Five years later, Captain John Steakley (Gary Stretch - Dead Man's Shoes ) leads a Special Forces mission into the jungle. His team rescues a hostage and captures the enemy leader. This is easier than it sounds, because the enemy footsoldiers do not fire from cover. Instead they just run towards the good guys as if they are in a melee rather than a gunfight.
The getaway chopper crashes into the same chasm, leaving the survivors to fight their way home through the dinosaurs. Back at HQ, Colonel Carter (Corin Nemec - Stargate SG-1 ) wants to send in another rescue chopper. However, Agent Grimaldi (Vernon Wells - Mad Max 2 ) insists on a 24-hour time-limit. After the time is up, they have to launch a missile and destroy that area rather than risk the enemy's bio-weapon get released.
A US military convoy is transporting cages filled with exotic creatures. The creatures escape, and it turns out they are ... CGI velociraptors. Before long, lots of people are getting picked off one at a time and killed in presumably bloody but off-screen deaths.
The General (Eric Roberts - ) states that he wants to use the cloned dinosaurs for ground combat, just as flying drones are a substitute for other military forces. However, there is also a profit motive involved for the Military Industrial Complex.
Ferrell and McBride each bring their own brand of humour to the film. Friel dresses like a slender Lara Croft, a reason in itself to watch the film. Unfortunately she uses her own Rochdale accent.
Some Americans on holiday get lost in the Bermuda triangle, and end up on a time-warped island. C Thomas Howell ( Red Dawn ) is in the Doug McClure role.
Thankfully the CGI dinosaurs are kept to a minimum. They actually look better than the rubber ones in the Hammer original!
The most original thing about this, compared to the Hammer version? The German characters actually speak their own language.
Millionaire Ben Cross ( First Knight ) tries to find the artefact first. Lots of sub- Relic Hunter antics ensue.
A pilot (Cesar Romero - Batman: The Movie (1966) ) is ordered to lead the recovery expedition. Well, he has experience - he crash-landed on an island in World War Two, and had to lead local guerrillas against the Japanese occupation forces. Most of the all-male crew are military men, except for the scientist who designed the rocket.
Minerals in the island's bedrock disrupt the plane's systems, causing it to crash. Luckily, a native girl in the local village speaks English which she learned from a missionary on a nearby island. She points the crew towards where the rocket crashed, atop an inhospitable mountain.
The explorers climb the mountain, and discover the plateau is infested with dinosaurs. Our heroes, armed with M1 carbines, have to fight off brontosauruses and triceratops.
The first dinosaur is close-up footage of an iguana, but the rest are stop-motion shots of the Ray Harryhausen variety. Later there is some stock footage of an explosion. We can safely say that the fact that this movie was shot in black and white helps conceal the relatively poor quality of the special effects.
As befits the Ray Harryhausen reference, the monsters are portrayed through good old-fashioned stop-motion animation.
The kaiju surfaces, causing a tsunami, and the US Coastguard is alerted. General Horne (Eric Roberts - The Expendables ) sends in a submarine and a destroyer, to no avail. It is up to the unlikely band of survivors to save the day.
The only thing that can stop a bad kaiju with a temper is a less bad kaiju with a temper. Luckily the scientist woman's mentor lives nearby, and is the world's expert in kaiju. She helps the heroes find and awaken the appropriate monster.
Four of the explorers land on the remote continent. Hogan is left to repair the seaplane, while McBride takes Charley and the Professor to look for Tyler. They find a cave-girl named Ajor ( Dana Gillespie ) who wears a cleavage-enhancing costume and provides the necessary exposition.
The happy ending of the previous movie was quickly reversed, and the continent was conquered by a hostile tribe called the Naga.. This is disappointing for the audience, but good for the story because it allows lots of action to compliment the adventure. That said, the story has the same basic plot as most Doug McClure films. The good guys who used a prototype of a vehicle quickly get captured by minions of the Evil Overlord such as the Executioner (Dave Prowse - Star Wars: ANH ) , and have to free themselves in lots of great action scenes. This storyline also covers Flash Gordon (1980) , perhaps the last of these 1970s action-adventure films.
The archaeologists are accompanied by a TV journalist and her cameraman (James Buckley - Zapped ). This is not the distraction so much as the fact that this is not a true Found Footage film. It keeps flipping between what the explorers are filming (they have the TV camera, the robot’s cameras and even a web-cam for a tablet computer) and what the storytellers want us to see. This is a cheat, and allows the use of additional music and sound effects - not to mention the threat of a disappointing Untruthful Narrator ending.
The monster is original, to an extent. The writers chose a creature that is part of ancient Egyptian folklore, but it has not been used as a movie monster before. The CGI is also well-rendered, so the visuals are not to blame.
Nim’s island paradise is invaded by Buccaneers, a cruise-ship crewed by the likes on Anthony Simcoe ( Farscape ). The only one she can call for help is Alex Rover. Unfortunately Alex the Adventurer is the alter-ego of Alex the Writer - an agoraphobic Jodie Foster !
This is a great kids’ story, with one major problem. The protagonist is never in any actual danger. We see the characters do things, but there is no actual emotional connection with them. It is a very well-made film, but ultimately there is nothing to it.
This was based on a poem by Edgar Allen Poe , and made on the cheap by notorious B-Movie studio AIP (American International Pictures). The female lead ( Susan Hart ) is a talented performer, but she was also the twenty-something wife of the fifty-year-old Producer. The part written for Boris Karloff ( Frankenstein (1931) ) was played by John le Mesurier ( The Italian Job (1969) ). If this had been made ten years later, the heroes would have been played by Doug McClure and Peter Cushing.
This time the year is 1588, and the pirate ship is a privateer vessel that was part of the Spanish Armada. There is no safe harbour for the pirates to repair their vessel in, so they tie up in a remote creek on the south coast of England. Sort of like Frenchman's Creek , only these pirates are not overly romanticised.
The pirates take over a local village and enslave the villagers. Of course, the plucky Brits fight back.
The story is set aboard a cargo ship that has seen better days. There are a handful of passengers aboard, but they all have nasty secrets. Worse, the captain is smuggling tons of volatile explosives. The crew are a mutinous rabble. And finally, the ship is steaming straight into a tropical storm.
Everything is set up for the survivors to arrive at the Lost Continent of the title. However, it is only a remote island and it only appears at the end of the second act. Just in time for the survivors to battle some conquistadors. Well, who expected the Spanish Inquisition?
A Big White Hunter in Africa in the 1960s gets somehow transported back in time to a prehistoric era. The evil brunette cave-women (led by Martine Beswick ) have enslaved the blonde cave-women. Our hero is chosen as the evil brunette Queen's concubine. He objects to her cruelty, so she has him punished.
The final bookend sequence introduces the hero's partner - business partner, that is - John (Stephen Berkoff - Werewolves Vs Strippers ).
The hero (Kerwin Matthews - 7th Voyage Of Sinbad ) ends up in a Scarlet Letter situation. The village elders, led by his own father (Andrew Kier - Quatermass And The Pit ), sentence him to fifteen years hard labour in the village's very own prison colony.
Our hero promptly escapes from the top security stockade. He gets lost in the swamp, but is found by friendly pirates led by the one-eyed Captain Leforge (Christopher Lee - Dracula ). Judging by his accent the Captain is apparently French, while the Huguenots - a French sect - speak in English or North American accents.
The hero agrees to guide the pirates to his home village, so he can get even with the elders who imprisoned him. However, he starts to have doubts about his new companions. One of the pirates (Oliver Reed - Gladiator (2000) ) gets a bit over-amourous with the women.
Once back in the village, the hero teams up with one of his friends, Timothy Blackstone (Dennis Waterman - Scars of Dracula (1970) ). Despite his grudge against the elders who unfairly imprisoned him, he turns against the helpful pirates in order to save a treasure that he never even knew existed. It is about more than just the treasure - it is about mercilessly killing all of the intruders. Yes, just like every slasher film since Texas Chainsaw Massacre (itself in the footsteps of Deliverance) the inbred hillbillies want to hunt down and slaughter the intruders who transgressed.
The colonel in charge, Judd (Lionel Jeffries - First Men On The Moon ) is a turn-coat, and his own daughter regards him as being a villain because of it. She still holds her former sympathies, to the Royalist cause. Luckily for her, Captain Tom wants her for his wife. He is smart enough to work out what she is up to, but realistic enough to compromise himself in order to get what he wants.
A Royalist insurgent nicknamed the Scarlet Blade leads a gaggle of peasants in a series of raids. Yes, this movie tries to make it look like the people were voting AGAINST democracy - or at least the steps in that direction which Cromwell made.
Judd's daughter knows that Sylvester is only helping the Royalists because he wants her to marry him. However, she flaunts the fact that she has chosen the Scarlet Blade instead. Poor Sylvester is now caught between two camps, regarded as a potential traitor by each side.
The city is ruled by the undying Ayesha, She Who Must be Obeyed (Bond babe Ursula Andress ) and her High Priest Christopher Lee ( Dracula ).
This is a Hammer version of the Victorian adventure book by H. Rider Haggard . The thing is, the original book is more about exploration than action.
The story is about a young woman ( Olga Berova ) who has visions that summon her south towards the Sahara desert. Unfortunately she is preyed upon by predatory men along the way. However, anyone who tries to interrupt her progress falls victim to a swift and merciless supernatural revenge.
The woman is being summoned to the hidden city, where the survivor of the first film is now ruler. He believes she is the reincarnation of Ayesha, so he wants to perform the sacred rituals on her. However, it turns out to be more complicated.