Walter Mitty (Ben Stiller - Zoolander ) is a daydreamer trapped in a dead-end job. He wants to impress a female co-worker ( Kristen Wiig ) and follow in the footsteps of his idol, photo-journalist Sean Penn ( Gangster Squad ). This involves going on an epic trek to Iceland, where he fails to realise that a volcano is about to erupt.
Wiig is an established comedy performer in her own right. Unfortunately she does not get the chance to show this off, although she does get to sing a song.
It turns out our hero is haunted by a dark past. This is basically a comedy about a seral killer. It has very dark subject matter, but manages to pull the comedy off quite well.
The hero's nerdy sidekick prevents genre blindness by identifying the hero's journey as a magical spirit quest.
The result is a poor story, but it gives excuse to some shockingly funny (or just shocking) jokes.
Captain Patrick Wilson ( Watchmen ) is estranged from his boyfriend Matthew Morrison (Glee).
The other crew members include:
(Ryan Kwanten - True Blood ) gets dumped by his girlfriend. His flatmates Eric (Steve Zahn - ) and Hung (Peter Dinklage - Game of Thrones ) try to cheer him up by taking him to a Live Action Roleplay (LARP) event. The rest of the team includes Danny Pudi ( Captain America: Winter Soldier ) and Summer Glau , while the Game Master is Jimmi Simpson ( Abraham Lincoln: Vampire Hunter ).
Our all-star cast go on a merry quest. Naturally, a demon gets accidentally summoned and predictably goes on a killing spree. However, this is well handled and the resulting film is an above-average effort.
Nobby must become a secret agent himself, but predictably makes a mess of things and accidentally seduces Precious from American Horror Story: Coven .
Colonel Trautman (Powers Boothe - Agents of SHIELD: S3 ) goes to a Buddist Monastery (in Latin America) and recruits his best man - Macgruber. Once he is back, Mac gets a couple of sidekicks - Ryan Phillipe ( ) and Kristen Wiig .
This is a parody not just of the TV show MacGuyver, but of 1980s action movies in general. For example, his signature move is the throat rip from Road House.
Now, three decades later, Thorncroft is a has-been. Luckily for him, a mentally ill murder suspect named Paul Melly (Russell Tovey - Being Human ) believes the show is real. More specifically, the lucky break is that the local police request Thorncroft help them catch the killer.
Thorncroft is teamed up with Detective Constable Baines ( Andrea Riseborough ). However, this is not a parody of Forever and all the other mainstream cop shows these days. Instead we see Thorncroft reluctantly reunite with former co-stars. The result is a slapstick comedy-thriller that might be considered a missed opportunity. There is so much more that could be done with this concept. Hopefully there will be a sequel. Perhaps even a spin-off TV show, like Garth Marenghi's Darkplace .
The bickering pair head to the boy's family home. His father (Ray Wise - Twin Peaks ) runs the water treatment plant. It turns out that the company's environmentally unsafe procedures have contaminated the water with a brain-eating parasite.
This is an indie movie crowd-funded by kickstarter. The result is a pretty decent rom-zom-com, not the usual SyFy-type garbage.
The movie is a horror-comedy with some camera shots inspired by the works of Sam Raimi . The protagonists are trapped in a confined space, and the tension slowly ramps up as the bathroom gradually fills with more and more zombies.
There is also an after-credits sequence, although it does not really add much to the story.
Later, three sexy tweenage girls go to stay in a Cabin in the Woods . As always, it is right next to a lake. The good news is, it is not Crystal Lake or even Lake Placid . The bad news is, it is the lake that the beavers created with their dam.
This parodies a few different movies in the horror genre. However, it is not just a parody - it is more of a horror-comedy, like Gremlins . Rather than just endlessly mock genre films, it is both scary and funny in alternate turns. Perhaps this could be the Critters for the new century. Unfortunately, those movies had teenage boy protagonists so appealed to a more adventure-loving audience.
This effort clings to horror movie tropes that became cliches long ago. However, it adds a new twist. If you get bitten by a zombie, vampire or werewolf then you turn into the thing that bit you. But if you get bitten by a zombeaver, it turns out that you become a were-beaver.
In 1968, a trio of Minions visit the USA to find a super-villain they can be henchmen for. Due to an incredible series of coincidences they accidentally discover the Supervillains’ TV channel, and then get a lift with a group of amateur villains to the annual Super-villain convention. The best villain of the bunch is Ruby ( Sandra Bullock ), and the guys manage to impress her enough to get hired. But given their slapstick nature, things will not go according to plan.
The film also introduces a very young Groo, who becomes their master in the other films in the series.
Groo adopts the girls, purely as a temporary measure for the duration of the robbery. But the loveable little things eventually get to him. All the usual clichés come into play, and he must eventually choose between success in his career and success as a father.
The newly unemployed Groo gets invited to stay with his twin brother, which is a surprise because he always thought he was an only child. He takes his girlfriend and adopted children along for the trip.
Groo's brother wants to learn the family trade as a super-villain. Groo decides the best way to get him a rep is to steal from the other villain If this sounds familiar, that is because it was the plot of the original film.
A young boy in suburban USA is lonely because he does not get enough of his parents' attention. The parents (including Jennifer Aniston ) are self-employed and work from home, unlike the vast majority of parents in the world, so he really does not have much to complain about. However, he writes a letter to the Storks and requests to have a baby brother delivered.
The protagonist (Andy Samberg - Brooklyn 99) must deliver the baby to its parents before the boss (Kelsey Grammer - Transformers 4 ) finds out and fires him.
The Storks have a token human, Tulip. She is portrayed as a heroine who can do no wrong, even though she is incompetent and everything she does ends in disaster. Disaster for everyone except her, that is. She never has to take responsibility for her failures. Tulip's policy is Diversity for the sake of diversity. The business already employs Pigeons as office drones and Penguins as nannies. However, she wants to take the flightless birds and put them on delivery duties (for which they are fundamentally unsuitable). That said, with the enormous back-log created at the end it might be necessary to lower standards and hire a few new staff outside of traditional recruiting zones.
The protagonist sets out to undermine his unwanted sibling, who has the brain of a grown man in the body of a tiny infant. The result is an incredible parody of Hollywood car chases, which illustrates (no pun intended) how animated films are far superior to live-action ones in terms of cinematography.
There is an overall plot to the story. Babies are about to be replaced with robot puppies. If this happens, the Boss Baby will be out of business and will be trapped in the family forever. The two unwilling siblings must learn to work together.
Hercules (Tate Donovan) is the son of Zeus, but he must prove himself before he inherits his godhood. He is trained by a satyr (Danny DeVito - Batman Returns ) and assisted by his animal sidekick, Pegasus the flying horse.
Hades (James Woods - Videodrome ) is plotting a takeover of Olympus.
Moon (Matthew McConaghey - Kubo and the Two Strings ) is a koala bear who runs a failing theatre. His scripted shows have failed, so his next business venture is a singing contest.
The story is quite predictable, with a believe in yourself moral in the end. What really sets it apart is the fact that animated films are far superior to live-action ones in terms of cinematography.
A young woman in New York City buys two mis-matched dogs as pets. They bicker and fight, and end up getting lost on the streets of New York. The dog catcher is after them, and they do not have their collars on. Eventually they end up in a sausage factory, which may have inspired the parody film Sausage Party .
The happy foodstuffs go on a trek across the supermarket. All the usual cliches are parodied ceaselessly.
It is a family-friendly film that works on a number of levels:
The sentient icons live in a dystopian society run by a villainous matriarch, the original smiley face. This makes her more like Ms Pacman than the actual Pacman, but dystopian matriarchies are a trope these days so we should overlook it.
The protagonist flees, and teams up with a couple of other characters - a love interest and a comedy relief. If the plot seems familiar, that is because this film is quite similar to The Lego Movie . The main difference is that Lego will still be used in ten years time while before we know it the smart-phone Emojis will become as extinct as command-line interface. At the end of the day, this is the kind of derivative and unoriginal story that was so expertly mocked in the R-rated comedy Sausage Party .