Stark's experiences as a hostage, combined with an encounter with liberal journalist Leslie Bibb , convince him to give up his arms-manufacturing ways. Creepy-looking business partner Obadiah (Jeff Bridges - ) tries to convince him that this is a mistake - after all, closing his factories would put a hundred thousand workers out of a job!
Stark then ignores his friends USAF officer Terence Howard (Big Mama's House) and sidekick Pepper Potts ( Gwyneth Paltrow ), and spends his spare time perfecting the ultimate weapon, an armoured suit. The CGI version of the mechanics is reminiscent of the Transformers robots, but then they were designed by the same company so it is hardly surprising.
Naturally Stark still has to fight the villains. It is all a bit predictable. Since he is too much for a bunch of men with rifles to take on, it is convenient for the story that a similarly-armoured opponent comes along.
If you wait past the extended credits, there is a final scene that makes it all worthwhile!
Back in the office, Pepper Potts ( Gwyneth Paltrow ) takes over as CEO despite her rivalry with Scarlett Johanson . Journalist Leslie Bibb also pops up.
Bruce Banner (Ed Norton - Fight Club ) is living incognito in South America. General Thunderbolt Ross (William Hurt - ) sends in a snatch team led by psychotic Royal Marine Tim Roth ( Rosenkrantz and Gilderstern Are Dead ) ...
The military guys certainly do not expect what they run into when the Hulk makes its first appearance. It is bigger, meaner and scarier than in the previous film!
Bruce ends up returning to the USA, where he needs help from Betty ( Liv Tyler ). There may be a cure for the Gamma Poisoning that causes his transformations - but can he get cured before the US Military can dissect him?
Despite the incredibly brutal violence, this film is only a PG-13. This leads to a somewhat distracting problem - even in the heat of combat, nobody actually swears!
The climax, predictably enough, allows our hero to show off his talents against another monster. And like Iron Man , there is a final scene that implies something greater may be in the offing.
Thor crashlands in New Mexico, where he befriends scientists Natalie Portman, Kat Dennings and Stellan Saarsgard ( Pirates of the Carribean: Dead Man's Chest ). However, the MIB Agency of S.H.I.E.L.D. takes an interest. Agent Coulson and Hawkeye the Archer (Jeremy Renner - Mission Impossible: Ghost Protocol ) turn up the heat on our hero.
The villains are a Nazi cabal named HYDRA, commanded by Nazi officer Hugo Weaving ( V for Vendetta ) and scientist Toby Jones ( Your Highness ).
British Rent-a-villain Richard Armitage ( Robin Hood ) has some great scenes
This completely fails the Bechdel test. But it does tie in with Iron Man as a lead-in to the forthcoming team-up movie Avengers Assemble .
Nick Fury (Samuel L Jackson - Deep Blue Sea ) and his new sidekick (jumpsuit-clad Cobie Smulders ) assemble the Avengers, a mis-matched group of superheroes from other Marvel films.
Will the villains unleash an army with a thousand speeder-bikes into Manhattan? Is the army controlled the same way the Trade Federation's was in Phantom Menace - by a single control ship? At least the villains in Independence Day could still try to fight back after their control centre was taken out.
This is the best blockbuster movie of 2012 so far, as good as the best bits of the previous four films put together. If not better. It certainly beats the other Marvel Universe superhero team movies ( X-Men, Fantastic Four ). Despite having three empowered female characters, and a Girl-Power writer-director ( Joss Whedon ), this actually fails the infamous Bechdel test. That said, the test is not a guarantee of quality.
Tony Stark (Robert Downey Jnr - Tropic Thunder ) spends more time out of the Iron Man suit than in it. But at least his best buddy (Don Cheadle) gets something to do. The story turns into a mixed-race buddy-cop effort, with the explosive climax aboard a freighter in dock.
It all starts in 1999, when Tony Stark is at a Symposium in Switzerland. He meets biologist Rebecca Hall (she is in everything these days) and eccentric brainiac Guy Pearse ( Lock Out ).
As the plot thickens, Stark takes on a Bin Laden-like warlord, The Mandarin (Ben Kingsley - The Sound of Thunder ).
Finally, Pepper Potts ( Gwyneth Paltrow ) actually gets to do something!
Two years after the events of the first film, the human scientists ( Natalie Portman, Kat Dennings ) have relocated from New Mexico to London. They have had no luck detecting anything alien - until The Convergence happens. This is a planetary alignment.
The most interesting thing about this film is the fact that Jane Foster has already given up on Thor and is now trying to date other people. Specifically, Chris O'Dowd from Gulliver's Travels .
Nick Fury (Samuel L Jackson - Deep Blue Sea ) suspects a conspiracy is at work. And when someone tries to have him killed, Cap takes over the investigation. The tiny band of surviving heroes must team up and overcome the Military Industrial complex. Just like in the recent GI Joe: Retaliation Movie, but with CGI super-soldiers instead of CGI Ninjas. Same difference, really.
This all takes place over about three days (of the Condor - sorry, couldn't resist) - so our heroes have no time to call in the other Avengers. After all, the events of Iron Man 3 and Thor 2 mean that the others have lives of their own to lead in other cities. However, this means that a lot of supporting characters have a chance to shine instead. Cap's neighbour Sarah ( Emily Van Camp ) comes in useful. Maria Hill ( Cobie Smulders ) actually has something to do as well. Even Danny Pudi (Abed from Community) pops up as a SHIELD desk-jockey.
SHIELD is presented as the mainstay of the US Military-Industrial Complex, but the International board of managers includes Jenny Agutter (English), and the villain from Lost (Australian). Gideon Malik (Powers Booth - Agents of SHIELD ) is around to represent the USA. So is it the equivalent of the USMC, all of NATO or the United Nations Invasion Task-force?
Worse, there is a Megalomaniac super-villain named Ronan on the loose. Lee Pace (the villainous Elf-Lord in The Hobbit ) has beefed up to look like something out of 300 , and is backed Thanos (Josh Brolin – Deadpool 2 ). Yes, the arch-villain who used Loki as his proxy in Avengers Assemble is back to his old tricks, using intermediaries to invade other worlds. Thanos lends Ronan a pair of gorgeous female assassins – the blue-skinned Karen Gillen and the green-skinned Zoe Saldana .
The result is possibly the finest of the Marvel Avengers universe movies so far. It works on every level - great action and great comedy.
The Avengers’ goal is Loki’s staff, which contains one of the four magic stones. Thor wants to take it back to Asgard, to give it to Odin ... which would create more problems than it solved. Worse, Tony Stark gets his hands on it first. Yes, since Stark privatised global security after SHIELD fell, he pays for the Avengers … but they follow his agenda (such as destroying his political enemies in HYDRA). In Iron Man 2 the villains used robotic drones to fight Stark, while in Iron Man 3 he had modified his suit into an army of drone pieces. Now he decides to take it a step further, using Loki’s evil magic-stick to create a super-AI that will protect the world with drones. Has he learned nothing from SHIELD’s folly in attempting world domination in the name of good?
Naturally, Stark’s A.I. (Ultron, voiced by James Spader - Wolf ) goes rogue. This makes Tony Stark the biggest super-villain in history, since everything bad seems to be directly or indirectly his fault. A pair of former HYDRA minions (Scarlet Witch Elizabeth Olsen and Quicksilver Aaron Taylor-Johnson) also want revenge on Stark, teaming up with Ultron to help him get what he wants.
After the climactic global invasion of the first film, if anything this is a let-down. In part it is an origin story for the Avengers B-team, introducing new characters and bringing the two African-American sidekicks into the mainstream. While it is nice to see locations outside the USA for a change (the Hulk rampages through a city in South Africa, while the others have a chase scene in a South Korea city) there is nothing that we have not seen before. There is a lot of spectacle, but not much originality.
Even the relationships between the Avengers have changed. Black Widow ( Scarlett Johanson ) used to be close to Hawkeye (Jeremy Renner - Bourne Legacy ) - but now he has a new love interest ( Linda Cardinelli ) and she is flirting with Bruce Banner (Mark Ruffalo - 13 Going On 30 ). Nick Fury (Samuel L Jackson - Snakes on a Plane ) is still pretending to be dead, even though HYDRA has been destroyed so there is no reason for him to hide.
In the modern day, the world’s best burglar (Paul Rudd – Role Models ) gets released from prison. Unfortunately he does not have a parole officer to find him a job. He gets a minimum-wage customer-service job at Baskin and Robbins (yes, there is a lot of product placement in movies these days) but ends up having to resort to crime again.
Meanwhile, Douglas’ protégé (Corry Stoll – The Strain ) has decided to do what Stark could not do – duplicate the shrinking formula. The guy is clearly a supervillain, and an obsessed one at that. He has already built a flying battle-suit, something that was the holy grail of the new MCU arms race in Iron Man 2 . We also see there are effective counter-measures to an attack by a shrinking man, So he would be better off forgetting about the formula and just mass-producing the battle-suit instead.
The burglar gets recruited to be the new Ant-Man. He gets trained by his mentor’s estranged daughter ( Evangeline Lilly ), who has unresolved issues regarding her father. She is feisty, combatative, all the clichés. Also, she has an ugly wig that is quite distracting.
HYDRA make a re-appearance towards the end. Despite by this stage their main leader in the USA IS Gr*nt W*rd in Agents of Shield , they have somehow scraped together (or stolen at two weeks notice) thousands of millions of dollars.
Cap, Black Widow and Scarlet Witch try to stop Crossbones, a former HYDRA goon, from stealing a bio-weapon and selling it to supervillains. In an effort to save hundreds of civilians in a crowded marketplace, the team cause slight damage to a nearby skyscraper. Nothing on the scale of the destruction to New York or Eastern Europe in previous films, but it is nice to see a film where violence actually has consequences. This causes the US Government to overreact and send in General Thunderbolt Ross (William Hurt - Humans ), the fascist psychopath who obsessively hunted the Hulk for years. Ross is now a politician, which if anything makes him more dangerous. He wants the Avengers to sign a document that makes them servants of the United Nations. Not the World Security Council, which presumably was a United Nations sub-committee, or SHIELD (which officially no longer exists) but the entire united Nations. Tony Stark is keen on this, because he is feeling guilty for causing Age of Ultron. Captain America refuses to sign, however, because he takes responsibility for his own actions.
Some of the collateral damage in the skyscraper included civilians from Wakanda, the fictional country where Vibranium comes from. It is like Eddie Murphy's homeland in Coming To America, and the Prince who gets his royal foreskin cleaned every day is also local superhero Black Panther. When a terrorist attack is blamed on the Winter Soldier, Prince Panther swears revenge. Captain America decides to help Bucky, even though the cops have orders to shoot on sight. The Black Panther is a man who works out in a gymn and trains in a dojo a couple of times a week at most. Captain America and the Winter Soldier are virtually indestructable super-soldiers with decades of combat experience. Somehow he fights them so well he has earned his own spin-off movie.
When SHIELD was destroyed, Earth's global defence was privatised and Tony Stark became the final decision-maker in the planet's future. This was obviously a terrible mistake. However, his most recent decision - to hand the Avengers over to a bunch of greedy politicians - is just as bad as any of his previous ones. This leads him on to another terrible decision - to lead half the Avengers to go against anyone who will not sign their life away. He even recruits a teenage boy as a child soldier. Yes, Peter Parker makes his first appearance in the MCU - and for the first time in a movie he actually looks young and wisecracks funny.
The massive hero-on-hero fights actually detract from the overall film. It is nowhere near as grim as DC's Batman Vs Superman , because we know the goody-goody Avengers are not in any real danger. Civilians have a tendency to become collateral damage, but nobody cares about them anyway. There is a major disparity in superpowers - Hawkeye can lift his own bodyweight, Cap can lift half a ton, and the Iron Man suit can lift a hundred tons. However, they all come across as more or less equal.
While the Civil War plotline is somewhat disappointing, the actual theme of the film is quite interesting. This is the first Avengers movie where the characters actually examine the consequences of their actions.
Doctor Steven Strange (Benedict Cummerbach - Hobbit: Desolation of Smaug ) is an arrogant doctor, the best in the world at what he does, who ends up crippled and bitter against the world. Not unlike House, M.D. ... and that character (an American played by a Brit) is basically a pastiche of Sherlock Holmes ... who as recently played on the BBC by Cummerbach himself! Strange gets ditched by his girl friday ( Rachel Adams , veteran of the Guy Ritchie version of Sherlock Holmes ). However, a recovered cripple (Benjamin Bratt - Demolition Man ) points him to a mystical monk in Nepal.
Strange starts to learn the mystical arts of wizardry, but ends up getting dragged into a war against a demon. This creature is an interdimensional Galactus (like in Fantastic Four: Rise of the Silver Surfer ) and may be practically unstoppable.
There are two post-credits scenes, and at least one of them is set-up for the sequel.
The human protagonist (Chris Pratt - Jurassic World ), the self-proclaimed Starlord, finally gets to meet his birth father - Ego (Kurt Russell - Escape From New York ). The others tag along with him to Ego's planet, but they all have their own sub-plots.
Rocket the Racoon (Bradley Cooper – My Little Eye ) is still a thieving little rodent. He steals a valuable plot device, which leads to a sub-plot involving pursuit by his victims. It also gives him the chance to bond with Starlord's foster-father, the disgraced gangster Michael Rooker ( Walking Dead ).
Nebula ( Karen Gillen ), a villainous hench-woman in the previous film, is now a freelancer obsessed with revenge on her sister Gamora ( Zoe Saldana ).
Just like the previous Guardians movie, this is one of the finest of the Marvel Avengers universe movies so far. It works on every level - great action and great comedy. There are cameos by Stan Lee, Howard the Duck and Sylvester Stallone ( Demolition Man ), as well as FIVE post-credits scenes!
The story picks up a few years to the current timeline of the MCU. Stark has gotten worse, he actually recruited the teenage spider-boy as a child soldier in Captain America: Civil War . Peter Parker has been corrupted by his perceived friendship with Stark. He is so obsessed with the Stark internship, as he calls it, he does not even bother to learn how to use his super-suit properly. However, he has to come to terms with the fact he has been all but abandoned.
Peter is not driven by the character's classic motivation, the death of Uncle Ben. In fact, we have no idea how the Marisa Tomei version of Aunt May became single. This is probably a good thing, because in the last two decades we have already had TWO different big-screen retellings of the origin story, so it actually makes a change for us just to see the character develop by himself. Instead, we see a teenage Spider-Man who plays the role of vigilante superhero in order to impress his absent father-figure, Tony Stark.
The main storyline would actually work as a crime movie, with the Vulture and his friends saving the working class from Tony Stark. However, instead we get a light-weight comedy-thriller with Parker (who actually looks like a teenager) mixing dialogue with his suit (voiced by Jennifer Connolly , wife of the man who voices Tony Stark's suit).
There is a lot of teenager stuff, as Parker is still in High School. The supporting cast are now a racially diverse bunch, but they are well-cast and do a great job. For example, instead of being a blond-haired football jock the school bully Flash Thompson is now a snobby rich asian kid. Zendaya plays a geek girl - a real one, not a fake like the ones now running Marvel.
All in all, this film is a great mix of different aspects. The characters and situations all work perfectly. There are even cameos of Captain America: even though he is technically an international crimninal the US Government still uses his image to inspire the school-children. Keep an eye out for the after-credits sequence.
The movie starts with Thor off on a quest to save Asgard. He heads home, and discovers that things have been changed. Heimdal (Idris Elba - 28 Weeks Later ) is on the run, accused of treason, and his job is now done by a comedy-relief character named Skurge (Karl Urban - Dredd 3-D ). The city centre has a huge statue of Loki (Tom Hiddleston - Crimson Peak ), like Thor promised to build and then forgot all about. A group of actors led by Sam Neill ( Jurassic Park ) are acting out a stage-play called The Tragedy Of Loki, about events from the previous film that only Thor and Loki were present at. And Jane Foster ( Natalie Portman ), but she has dumped Thor so she does not appear in this film.
It is evident to Thor that Loki has secretly usurped the throne.
Odin (Anthony Hopkins - Silence Of The Lambs ) has been exiled to Earth. Thor takes Loki to New York City so they can find him. Dr Strange , Earth's self-appointed guardian, takes an interest in their quest. Loki is on the naughty list, but Strange ensures there is no risk of a repeat of Avengers Assemble .
Odin's time has passed. And with him gone, there is a new claimant to the throne of Asgard - his firstborn, Hela the Goddess Of Death ( Cate Blanchett ). Her powers include the ability to thrown an infinite number of magical daggers. Not only can they wipe out an entire army, they are also powerful enough to take out the space-ships that are used for close air support. She quickly conquers the entire world. Once she has Odin's palace she uses the eternal flame to revive all the dead warriors buried in the palace crypt, thus making herself an army of zombies.
Thor winds up dumped on an alien planet. He gets enslaved by a fallen Valkyrie ( Tessa Thompson ) and sold to fight in the arena. The Grandmaster (Jeff Goldblum - Jurassic Park ) and his sidekick Topaz ( Rachel House ) use Thor as a fighter in their gladiatorial arena.
As the trailer gives away, Thor discovers why nobody has seen the Hulk on Earth for the past few years. Apparently the Quinn jet was capable of interstellar travel. The Hulk has now got an expanded vocabulary and a personality that extends beyond mindless violence.
The section on this alien planet is basically a side-step from the main storyline. However, it takes up the entire second act of the movie. Thor spends the time recruiting a bunch of reluctant helpers who he calls The Revengers. Then they return to Asgard for the climactic Third Act, where they confront Hera and her zombie army.
The online media has cast Valkyrie as the breakout character. She is not the first female or black Asgardian in the series, not even the first in this movie. However, she has taken all the glory. In this reviewer's opinion, the really impressive character is Skurge. He starts as a comedy relief in an already light-hearted film, but comes into his own when he does scenes with Hela.
There are only two after-credits sequences. One sets up the characters' transition to the Infinity War storyline, but the final after-credits sequence is disappointing and inconsequential. This is on top of a lacklustre music score for the end credits, which is a pity because there is at least one good song in the sound-track. It just does not compare to Guardians of the Galaxy 2 .
The main story starts in the aftermath of Captain America: Civil War . King T'Challa (Chadwick Boseman - Gods Of Egypt ) sets out to rescue his ex-girlfriend, Nakia ( Lupita Nyong'o ), a Wakandan spy who has taken on some Al Quaeda woman-traffickers. He wants her to attend his coronation ceremony. The master of ceremonies is Zuri (Forrest Whittaker - Species ), while the matriarch is T'Challa's mother Ramona ( Angela Bassett ). Despite the country being technologically advanced, their government is basically decided through trial by combat. Yes, T'Challa's claim to the throne relies on three things - he is of the royal bloodline, he is liked or trusted enough for most of the other claimants to step aside, and he is capable of defeating any challengers in a fist-fight. Family, friends and fists.
In London, we meet Erik Killmonger (Michael B. Jordan - Fantastic Four (2015) ). He acts like a social justice warrior, berating the female director of the British Museum for having African exhibits on show. He asks her if her ancestors paid a fair price for the items, but in reality the iron price is as good as the gold one. And museums are like libraries - they provide knowledge for free to everyone. In comparison, Killmonger works with Ulysses Klaue (Andy Serkis - Lord Of The Rings ) - a murderous recurring villain who wants to sell vibranium to the highest bidder.
T'Challa wants to catch Klaue, to take revenge on behalf of his buddy W'Kabui (Daniel Kaluuya - Get Out! ). To this end, he goes into a casino like an African James Bond . The main difference is that his team are all female - his ex, his bodyguard Okoye ( Danai Gurira ) and tech support (his little sister in the Q role). He sees a couple of familiar faces. One is Stan Lee, making his cameo. The other is CIA Agent Everett K. Ross (Martin Freeman - The Hobbit ), who is not there by coincidence. This leads on to another action setpiece, a car chase reminiscent of the one in Captain America 3.
Finally, Bilbo gets a face-to-face confrontation with Gollum. Well, they are the Tolkien white guys!
Our heroes return to Wakanda, where Ross gets urgent medical attention. As the token white man he is subjected to disparaging treatment that the token black guy in a mainstream movie would not be subjected to. Well, the story-tellers have to ensure this is not a cliched White Saviour narrative like Avatar , AKA Dances With Smurfs. However, the Wakandans' use of the word Colonizer towards him is problematic. It may be technically accurate, as Wakanda is an extremely isolationist ethno-state that does not share the benefits of its civilisation with its neighbours. However, it is used as a racial slur, and since the institutions are run by black people then the prejudice plus power equation that defines institutional racism means that they were definitely being racist towards him.
Rather than bog the story down with the usual save-the-world routine, this film is more of an origin story. Wakanda's advanced technology is only used to support the story. The real battle is for the throne, because whoever rules the Kingdom decides how the technology is used. The political divide goes back a generation. T'Challa follows in his father's footsteps of isolationism, while his rival wants to start his own global Empire. This works quite well as a story setup, because in all fairness the villain has a very good point. Like Wakanda, Tony Stark has access to next-generation technology - but at least he has the decency to sell it to people so that peoples' lives can be improved by it. In comparison, Wakanda's isolationism has deprived the world - including its African neighbours - of advances that could have ended plagues and famines.
The claimant to the throne wins the loyalty of the army. T'Challa has a few loyalists on his side. The bottom line is that this apparent utopia has a massive civil war. The army dress like shepherds, but their woolen cloaks contain energy shields. Their cavalry is not tanks, but cybernetic rhinos. Air support is in the form of flying gunships, which can be remotely controlled by a holographic interface and an Artificial Intelligence named Griot (Trevor Noah - The Daily Show).
All in all, a great film that sits comfortably among the best of the MCU.
We have never seen Thanos in action before - he is usually seated and giving orders. Now he takes on the Incredible Hulk in a fist-fight! He also has an army of alien warriors, including a handful of creatures that have super-human powers. The warriors get sent to Earth to retrieve the stone from Dr Strange (Benedict Cumerbach - Hobbit: Desolation of Smaug ) and Vision (Paul Bettany - Solo: A Star Wars Tale ), while Thanos himself goes after the stones held by the Collector (Benicio Del Toro - Star Wars: The Last Jedi ) and Red Skull.
The whole Marvel Comics Universe (MCU) is represented in this movie, except for Hawkeye and Ant-Man . This allows us to finally compare the abilities of different heroes. For example, we learn that Starlord (Chris Pratt - Passengers ), with his off-the-shelf second-hand alien technology, can match Tony Stark (Robert Downey Junior - Tropic Thunder ) in his custom-built next-generation Iron Man suit. Captain America (Chris Evans - Sunshine ) can survive a punch that would stun the Hulk (Mark Ruffalo - 13 Going On 30 ).
The climax leads on to a cliffhanger ending. Yes, this crossover story is so big that it cannot be contained in a single movie.
Back in the modern day, Scott (Paul Rudd - Role Models ) is under house-arrest because of his part in the events of Captain America: Civil War . He, alone of all the Avengers, has been convicted of breaching the Sokovia Accords. Since SHIELD is officially gone (except in the Agents of SHIELD TV show) the law is now enforced by the FBI.
Scott has dreams of Janet's memories, which implies that he encountered her while in the Quantum Realm. He contacts the Pymms, who are trying to build a quantum tunnel so they can rescue her. They are so desperate, they even contact estranged former cow-orker Bill Foster (Laurence Fishburn - Event Horizon ). Unfortunately an ex-SHIELD assassin code-named Ghost ( Hannah John-Kamen ) wants to steal the technology for her own use. There is also a sub-plot involving a greedy arms dealer (Walton Goggins - Django Unchained ).
As in all good action-adventure movies, there is an extensive car-chase scene. Despite the movie's comical tone, the chase is conducted at high speed through the crowded streets of San Francisco. The chances are that this would have ended in multiple fatalities, including those of many innocent bystanders. However, this is all played for laughs.
As with all MCU superhero movies, the villain is a dark reflection of the protagonists. In this case, Ghost wants to be cured of the super-power that is slowly killing her. It is refreshing to see people who do not want to destroy the world, or even just to conquer it. Instead we get relatable characters with human motivations.
The after-credits sequences are references to the climax of Avengers: Infinity War .
Vers ( Brie Larson ) is a super-soldier working in a Kree special forces unit assigned to fight shape-shifters called the Skrulls. She is plagued by strange dreams, which give her an excuse to flirt and fight with her boss (Jude Law - AI: Artificial intelligence ). They work for the Supreme intelligence, a Kree AI super-computer that controls their utopian civilisation. When Vers speaks with it, it appears to her as Annette Benning - who she cannot remember, but at least this scene passes the Bechdel test.
Vers ends up on a planet that turns out to be Earth, circa 1995. She sees Stan Lee, reading the script to Mallrats (1995) - yes, in this cameo he is playing himself for some reason. Why she gives him a strange flirty smile is not explained, but if this is the same smile that Cheese Larson gives to airport security guards then it is small wonder they keep asking her out on dates. In reality, a millionaire movie starlet would only date a man if he is significantly more rich and powerful than her, so no wonder the working-class blue-collar workers get treated badly.
Later on, Vers gets flirted with by a biker dude (Robert Kazinsky - Second Chance ) and punishes him by stealing his motorbike when he is not looking. The original script idea was for her to take it by force, reminiscent of the scene in Terminator (1985) when the villainous title character murders Bill Paxton and then forces Brian Thompson to strip.
Vers reluctantly teams up with Nick Fury (Samuel L Jackson - Deep Blue Sea ), Agent of SHIELD. Fury's rookie partner, Phil Coulson, also gets some screen time. Both of them have been de-aged by CGI, although they are not as jarring as the sight of a de-aged Jude Law. Yes, Law's hairline was practically gone for the last two decades and yet somehow he now has a full head of hair again. All a bit distracting, really.
Is there a plot twist? Every MCU movie so far (except Dr Strange ) has the same plot twist, or a variation of it. Perhaps this is the exception that proves the rule.
It turns out that Vers’ origin story is not very complicated. She got a rough time in military training, although not as bad as Steve Rogers got in Captain America: The First Avenger (2011) . Instead of proving herself through courage, she just happened to be nearby when that movie’s Tesseract had a power surge.
Danvers is like a shape-shifter. She looks like a human woman, but has none of the actual human emotions or feelings of a real human. Instead she has an incredible sense of entitlement. Worse than the poor characterisation is the lousy story. She has no real hero’s journey to overcome her own flaws. All she has to do is get back her mojo, like in Austin Powers 2: The Spy Who Shagged Me (1999) . This has already been the storyline of TWO MCU movies - Thor (2011) and Thor Ragnarok (2018) . Perhaps the original would be in the Disney movie Dumbo - not the modern CGI version, but the animated 1940s one. Her battles are against doubt and low self-esteem … which was literally the storyline of an episode of Red Dwarf . Yes, she is basically a more attractive (well, distaff) version of Arnold Judas Rimmer! She blames everyone else for her problems and never takes responsibility herself. Her bunk-mate is a person of colour, making Maria Rambeau into the Dave Lister figure. There is even a Cat!
Danvers complains that the Kree took her away from her family, but she did not have one. She has no love interest, and only one adult friend. Ironically, for someone as woke as Cheese Larson, she ignored the opportunity to turn down the role of Captain Marvel and suggest that the film-makers use a woman of colour (like in the comics). Instead the black woman, Maria Rambeau, is just the black best friend - the kind of role usually played by the sacrificial lamb. Their friendship does not include physical intimacy, but the black woman is the nearest thing to a love interest that Danvers has.
This sets up a lot of things for the other storylines. For example, Fury must have gotten the idea for Operation T.A.H.I.T.I. in Agents of SHIELD from Danvers' telling him about her being revived by a transfusion of Kree blood. Also, we discover how Nick Fury lost his eye. This particular bit is shoe-horned in, and is just a cheesy joke. The main thing is actually set-up for Guardians of the Galaxy (2014) . Two of the Kree in this movie appear as opponents of Starlord. It appears that Danvers' actions may have damaged the Kree Empire so badly that it fractured into a series of small war-bands, which were incapable of opposing Thanos and thus had to join him to survive. As a result, Danvers did what Bush and Cheney did when they invaded Iraq - deposed one dictator but empowered a much bigger long-term threat. If the Kree were the Ba'ath party, Thanos and his followers are ISIS. As a result, the disasterous Infinity War is all the fault of Captain Marvel.
This movie was basically made with a feminist agenda. Big Hollywood studios are notoriously risk-averse, and are usually a few years behind the curve when it comes to new developments. For years, many people wanted Black Widow ( Scarlet Johansson ), the only female Avenger, to get her own movie. Since she is basically the female equivalent to Hawkeye (Jeremy Renner - Bourne Legacy ), this would not be a good idea. However, after the success of Wonder Woman (2017) , the first successful movie in the rival DC franchise, the bosses of the MCU decided to shoe-horn in a female hero. Not a heroine, however – just a male character played by a female star. There is a lot of pandering to the prejudices of the supposed audience, or in reality to the loud voices on social media who insisted on having things their own way. The problem with social media is that extremism wins out. Much like attending conventions in the old days, the fans who seek out the creator’s attention will be more likely to express extreme views that are not representative of the views of overall fandom. This in turn drives the creators to produce a more extreme product, which may alienate the more mainstream fans and leave only the more extreme ones. Perhaps the term self-fulfilling prophecy should be used.
The first Act basically covers ground that has already been shown in the trailer. Captain Marvel ( Brie Larson ) makes her appearance, although she is only in a few scenes and does not steal the show from the real heroes. The story shows the world trying to adjust to life after the events of the previous film. Yes, finally we get consequences to a event in a genre where 9/11-type catastrophes get shrugged off all the time. Remember when alien invaders trashed lower Manhatten in Avengers Assemble and there was no emotional blowback?
The second Act is the main body of the film. Generally it is the bit where the characters go on a mission. Now, before this film was released there was a joke that Captain Marvel had a time-travel power and could set everything right. Well, as stated that was a joke and Captain Marvel is a very peripheral character.
The third Act is a massive battle, which dwarfs the climax of the previous film. This time the good guys do what they should have done first time round, and call in everyone from all the different movies. Not the TV shows, which is a pity.
Eddie Brock (Tom Hardy - Mad Max: Fury Road ) is a journalist. His girlfriend ( Michelle Williams ) gives away his backstory in a throwaway line. He got fired from the Daily Globe (not the Bugle) in New York City, and now works as a television journalist in San Francisco.
Brock discovers a tech billionaire is doing illegal medical experiments on homeless people. This is generic medical techno-thriller stuff - Hugh Grant caught Gene hackman doing the same thing in Extreme Measures (1996). As always, the hero tries to expose the villain but gets the sack. And since the girlfriend is the villain's lawyer - like in Darkman (1991) - he loses his relationship as well.
Brock does not bother setting up his own YouTube channel and becoming a self-employed journalist. Instead he just mopes and feels sorry for himself. Luckily the call to adventure arrives, and he breaks into the villain's lab. Naturally he gets infected with the substance the villain is experimenting on. It turns out to be an alien symbiote that gives him super-powers. He runs amok like The Incredible Hulk , and gets chased by both the police SWAT team and the villain's henchmen.
As with all superhero stories, this must end in a climactic save-the-world battle between hero and villain. Remember, that tacked-on Third Act is what ruined Trank's Fantastic Four (2014) . But the real problem with this story is that Brock does not get redeemed. It is Venom, the alien parasite, who actually develops as a character. Well, he decides it is better to reign in hell than serve in heaven. Brock is just a likeable jerk who is a bit morally lax, and whose only objection to eating people is the taste rather than the morality.
Stan Lee's cameo is shoe-horned in at the end. There are a couple of mid-credits sequences. One of them introduces Woody Harrelson ( Hunger Games ) as Cletus for a potential sequel involving Carnage. The other is an intro clip from Into The Spider-Verse .
The first third of the film is about Peter and his classmates. Specifically he has gotten over his emotional losses in the previous movies and has now developed an interest in MJ ( Zendaya ). This leads on to a lot of filler, which pads the film's two hours of running time with thirty minutes of character development and comedy. The plot itself is wrapped up in the following ninety minutes.
Nick Fury (Samuel L Jackson - Deep Blue Sea ) and Maria Hill ( Cobie Smulders ) abduct Peter from his school trip and team him up with a new superhero, Mysterio (Jake Gyllenhall - Donnie Darko ) in order to save the world. His new toys include a pair of sunglasses that contain Tony Stark's supercomputer and are linked to an orbital defence network. This is similar to what SHIELD was planning in Captain America: Winter Soldier ... but without the need for enormous flying aircraft carriers.
The climactic third act is familiar territory for fans of the MCU. Peter has to save the world, and his friends. It turns out that Stark's super-weapons are more trouble than they are worth. At least Mysterio is a team player who appreciates all the work that Stark's employees put into their inventions.
This stands in contrast to Captain Marvel , who gets a name-check in this film. Both heroes have to overcome self-doubt as the core of their Hero's Journey, and they are both lied to and gaslighted by people they trust. However, Spider-Man is a character that people actually like and care about so the storyline actually works for him.
The film has a couple of after-credits sequences that are not to be missed. One of them introduces Jonah Jameson, played by JK Simmons - who played the same role in the Sam Raimi films. The other scene has a revelation about Fury and Agent Hill.
The spell summons everyone in the multiverse who knows Spider-Man's secret identity. Now Peter has to round up the likes of Doc Ock (Alfred Molina - Maverick ) and Electro (Jamie Foxx - Django Unchained ). Norman Osborn (Willem Dafoe - The Lighthouse ) seems to have overcome the Green Goblin's influence, and wants to stop being a super-villain. Aunt May ( Marisa Tomei ) wants to cure the super-villains rather than send them home to die again. With great power must come great responsibility ...
When one of the villains stages a sudden but inevitable betrayal, Peter has to team up with his alternate selves from the previous two reboots of the Franchise. Dr Strange is only interested in sending the villains home, so Peter's friend Ned steps in to help with the magic. After all, Ned is overweight and Asian so he is a young Wong (Benedict Wong - What We Do In The Shadows ). As always, the climax is set on scaffolding atop a tall disused building. This time it is the Statue of Liberty, in scaffolding for the first refurbishment since Remo: Unarmred And Dangerous (1985) .
The one of the post-credits sequences is a tie-in with Venom , which explains what the next Spider-Man movie will be. The second sequence has clips from Dr Strange And The Multiverse Of Madness .
Eddie's one chance at getting his career back again is the fact that he is the only one invited to interview Cletus (Woody Harrelson - Hunger Games ), as in the post-credits sequence of the first movie. It turns out that Cletus was separated from his girlfriend ( Naomie Harris ), who has a superpower of her own.
As in the comics, Cletus gets infected by Venom and becomes host to its offspring - Carnage. From then on, it is pretty predictable. The MCU movies had a very tight structure, but this seems more reminiscent of the pre-MCU superhero movies. The Third Act goes on forever, and the climax is set on scaffolding atop a tall disused building.
We get a flashback to explain the protagonist's back-story. This is essential exposition, but it does not reflect the movie's tone which explains why it was pre-faced by the creepy but illogical scene. Twenty-five years ago, Morbius had a rare blood disease. He and his room-mate, who he nicknamed Milo, were raised by an apparently well-meaning scientist named Dr Emil Nicholas (Jared Harris - Fringe ). Morbius grew up to be a scientist himself, intent on curing the disease that he and Milo were afflicted with.
Back in the modern day, Milo has grown up to become Matt Smith. And although Smith was a hero in Dr Who , all his subsequent roles (like in Terminator Genysys ) have been villainous. As a result, if this film were to follow the MCU formula then either he or Harris will be the main villain. The audience can simply wait for the inevitable reveal. How long will it be before the sudden but inevitable betrayal?
Morbius plans to cure the blood disease by injecting himself with DNA from a vampire bat. Milo finances a laboratory for Morbius and his assistant, Martina Dancroft ( Adria Arjona ), aboard a ship in international waters. There are no sailors on the ship, but for some reason there is a security team. Yes, the only crew is eight mercenaries armed with automatic weapons. What could possibly go wrong?
The bad news is that the curse - oops, cure - is worse than the disease. Morbius gets himself infected with vampiric superpowers. When the bodies are found, FBI Agent Simon Stroud (Tyrese Gibson - 2 Fast, 2 Furious ) investigates. Reference is made to an incident in San Francisco, clearly an allusion to the events of Venom .
This movie was much lambasted by the critics when it was first released. The problem seems to be that it is a generic superhero movie, filled with tropes from the pre-MCU era. That does not go down well with a post-MCU audience. It has many hallmarks of a horror movie, but it is basically a super-villain origin story. The most important scene is the mid-credits sequence. We get to find out what happened to the Vulture, AKA Adrian Toomes (Michael Keaton - Batman (1989) ). Yes, this is affected by the multiverse-changing events of Spider-Man: No Way Home . The result is a set-up for a super-villain team-up ... for the next Spider-Man movie.
Decades later, the main story starts in 2003. Yes, this is a period piece - notable for the absence of smart-phones and the presence of Britney Spears music. Cassandra Web ( Dakota Johnson ) has grown up to become a paramedic in New York City, working for her mentor Uncle Ben (Adam Scott - Walter Mitty ). Scott is very likeable, despite usually playing villains, and their interaction is well delivered.
The killer from the first scene is also living in NYC. He has somehow monetized the spiders he stole, and is now a millionaire. However, he has nightmarish visions about being murdered by a trio of super-powered women. Yes, his wealth and super-powers are remarkably ineffective when the plot demands he become vulnerable. Anyway, he plans to kill the murderers before they can murder him. To do this, he hacks the NSA's surveillance system and thus accesses every CCTV camera in the city.
The villain operates with complete impunity. When he goes after the three girls, the cops think Cassandra is the abductor. However, they seemingly make no attempt to catch her either. Not only can she visit her apartment, she can fly in and out of the USA on commercial airliners and even drive around the city in a stolen taxicab even though it was probably lo-jacked. Yes, no sign of an APB or BOLO being posted. The cops and other emergency services do not appear unless the plot magically demands it.
While Cassie is away searching for exposition, she leave the girls alone to their own devices. They are incapable of keeping a low profile, so Uncle Ben ends up babysitting them. He also has to look after his pregnant sister ( Emma Roberts ). Despite being the city's best paramedic, he cannot perform a home-birth or even telephone HQ to cancel the ambulance when he takes the pregnant woman to hospital. And for some reason, he takes the girls with him!
Cassie and the girls have no active superpowers yet, although the trick is that when you take responsibility, the powers emerge. She takes reponsibility for a living as a paramedic, but this is apparently not enough. It does not make sense anyway, it is a crappy reworking of the With great power saying. We know that power corrupts, but does responsibility liberate? This sounds a bit too much like Arbeit Macht Frei.
Without active superpowers, all Cassie can do is ram the villain with her vehicle. This may slow him down a few times, but he seems unkillable because he always bounces back. However, at the end of the movie we discover what his Kryptonite is.
The result is a film that, like Morbius, feels like something from decades ago. Just because it is set in the year 2003 does not mean that it should feel like a reject from the 1990s. Worse, the story basically depends on everything conveniently existing only when the plot demands it. This lazy writing would have been the easiest thing to fix, but the result is just a poorly-made film.