This is a parody of the James Bond films, among other things. There is a villain out to conquer the world, and a bumbling fool cast into the role of Secret Agent - just like in Cody Banks , a similar parody which came out around the same time. However, The Tuxedo is carried by its incredible cast. Jackie Chan excels at this kind of work, and Ms Hewitt is very pleasing to the eye!
Lara recruits an untrustworthy ex-lover, Terry Sheridan (Gerard Butler - Dracula 2001 ), as a guide - he knows many of the players too. However, she tends to ignore his advice. He wants to take the slow way into China, whereas she has a high-tech alternative already lined up. If she does not listen to him or even trust him, why does she bother to bring him along?
Evil billionaire Mr Rice (Ciaran Hinds - Ghost Rider 2 ) is after the artefact, knowning it will lead him to Pandora's Box. The box contains a deadly disease, which is why Alexander the Great had it hidden in a magic cave guarded by supernatural monsters. Rice wants to sell it to the highest bidder as a bio-weapon, like the villain of Mission Impossible 2 . Naturally this would end in a Zombie Apocalypse, but Rice does not seem to care. He has forgotten the saying there are no pockets in a shroud.
In modern times, many Hollywood blockbusters are filmed in China for financial reasons - to secure a spot in the Chinese market. This film, released in the year 2003, evidently got its funding from product placement. The Chinese setting seems purely because it is glamourous and exotic. At least there is some nice cinematography, courtesy of director Jan De Bont .
A NYPD police officer named John Maclane (Bruce Willis - ) flies into Los Angeles to see his ex-wife, Holly Gennero ( Bonnie Bedlia ). He visits her office at Nakatomi Tower, where the company's Xmas party is underway. Unfortunately, Hans Gruber (Alan Rickman - Harry Potter Franchise ) and his dirty dozen gun-toting terrorists take over the building. Maclane must single-handedly defeat the villains and save the day.
This is based on a book, Nothing Lasts Forever, and was originally intended to star Frank Sinatra. As with Dirty Harry, Sinatra declined the opportunity and let someone else take a career-defining role. Schwartzenegger was also considered, making this film a direct sequel to Commando . However, luckily this did not take place.
Maclane is not a one-man army like Rambo, the archetypical 1980s action hero. Instead he a blue-collar everyman. While he has a police-issue handgun, the villains have sub-machineguns. This is another break with tradition. Most villains in action thrillers only carried civilian hand-guns, but in Die Hard the bad guys carry military-grade fully-automatic weapons. The next big switch would be in the Bond movie Tomorrow Never Dies , which features villains in SWAT-style body armour for the first time.
The one-man-against-hijackers storyline is not entirely original. Alistair MacLean wrote The Golden Rendezvous in the 1960s, but the earliest example of this sub-genre is probably a 1940s film noir called Quiet Please, Murder, which featured a private detective in a library that had been taken over by gangsters.
The film is a masterpiece on many levels. Each role, no matter how small, has the perfect cast member. There are even a couple of villains from the Bond movies. FBI Agent Johnson is Robert Davi ( Licence to Kill ), and one of Rickman's team is the assassin from The Living Daylights .
The villain of the piece is Colonel Stuart (William Sadler - Roswell ). He is a parody of Colonel Oliver North, here portrayed as a mercenary hired to save a General Noriega figure (Franco Nero - Django Unchained ) who is being extradited to the USA. Strangely the extradition plane will arrive at the civilian airport, rather than at a military Air Force Base, but that is the least of the film's flaws.
Stuart and his men seize control of the airport's control systems. It all seems quite ridiculous today, in the post-9/11 era. However, the story is set a decade earlier when it was almost believable that security would be more lax.
There are a few familiar faces in the supporting cast. A very young-looking Robert Patrick ( Terminator 2 ) gets a line of dialogue and a death-scene in a shoot-out. Yes, this is the film that established him as a rent-a-villain before he got to take on Schwartzenegger. Later, Colm Meaney ( Under Siege ) attempts an English accent as the pilot of a passenger jet.
Denis Franz ( ) is the airport's chief of police, and has an adversarial relationship with MacLane. This is necessary to maintain the situation of MacLane being a one-man army, with minimal assistance from the authorities. MacLane is pushed even further out of the loop when a US Army Special Forces Unit, Blue Light, arrives to deal with the terrorist threat.
There is a sub-plot about journalists being bad people. Thornburg (William Atherton - Ghostbusters (1984) ) is on the same airplane as Holly Genero, even though he still has a restraining order against her for punching out two of his teeth at the end of the first film. The stewardesses are resentful of him because he made a TV documentary highlighting unsafe practises in the airline industry. Meanwhile, MacLane resents a nosy lady journalist in the airport although he is more than happy to accept her assistance when it suits him.
The dialogue actually lampshades the unbelievable coincidence of the same thing happening to the same guy twice. However, this is just not as good as the first one. We never really feel that MacLane is in any jeopardy. In the original film, John McTiernan made MacLane into an everyman character. This time round, Renny Harlin turns MacLane into an unstopable one-man army who can easily defeat a team of Special Forces soldiers.
Super-hacker Gabriel (Timothy Olyphant - Hitman ) does not limit himself to a building, an airport or even a city. He has decided to shut down the Eastern Seaboard of the USA. His girlfriend ( Maggie Q ) is also an ass-kicking assassin, which is lucky for him since he can get her to kill potential threats without having to pay her the going rate.
Kevin Smith tries his hand at proper acting. Let's just say he was better as Silent Bob!
Unfortunately, Lucy stays home while daddy goes to Moscow alone. He must collect his wayward son (Jai Courtney - Spartacus: Blood and Sand ). Yes, the next generation of MacLanes is just an inferior copy of the original. This makes Courtney the new Sam Worthington. Remember how, a couple of years before this film, Worthington was the Australian who starred in remakes of classics like Clash of the Titans , franchise films like Terminator Salvation and blockbusters like Avatar ? Well, his fellow Australian Courtney has filled his niche with franchise films like Divergent, Terminator: Genesys, Suicide Squad .
The protagonist, Number 47 (Timothy Olyphant - The Crazies Die hard 4.0 ) must have been caught, because when he grows up he is a Hitman working for a secret Agency. He kills a Russian politician, gets hunted by the Head of local police (T-Bag from Heroes ), and then gets told he must kill a witness. Naturally the plot takes a couple of twists from there, and the Hitman must go on the run.
He takes along the witness ( Olga Kurlenko ), a friendly Russian hooker who keeps our hero company and becomes his cliched love interest. Despite being a black-clad baldie with a barcode on his head and Interpol cops after him, he manages to remain remarkably inconspicuous.
He goes on the offensive, and tracks down Desmond from Lost - the Russian President's wayward brother, an illegal arms dealer who becomes the Hitman's target.
There are some great action scenes, but it is nothing we have not seen in John Woo films over the years.
Agent 47's first target is a young woman who is believed to be able to find the progenitor. However, a helpful fellow tries to protect the woman. The bad news is, he is Syler from Heroes .
This is a low-budget straight-to-video effort. Well, the original film was not exactly big-budget either, but this has a cast of virtual unknowns. However, the small budget is well-spent on flashy visuals such as shoot-outs. Not exactly John Woo stuff, but the film-makers knew what their target audience wanted.