The Prosecutor, evidently a devout Atheist, constantly undermines the Defence with his use of medical science and FACTS. However, as Ms Linney gets more involved in the case she believes more and more in the magical monsters ...
The protagonist is a writer for a film company. They do not use actors, costumes or created dialogue. They just film a narrator reading from the script, listing the proven historical facts.
Then, one day, Ricky invents the lie. He manages to say something that he wishes were true - and because nobody can even consider the possibility that he might not tell the truth, they all accept it outright.
This leads on to a wonderful parody of organised religion. Yes, when he invents the lie he also has to invent religion. This is hilarious in itself.
Melissa George is a housewife with an autistic son. She goes sailing on a yacht with a bunch of people she barely knows. The yacht is capsized in a freak storm, and the survivors board a seemingly derelict passenger liner. The protagonist gets a strange feeling of deja vu ...
A masked figure starts killing the survivors. Then the day starts to repeat itself, in an inescapable time loop. This has been done many times before, it is not exactly original, but it is a decently done piece of work.
This lacks the romantic interest of Bullock's previous time travel film, The Lake House , or the thriller aspect of most other Time Travel films. It is basically a slow-moving drama, a time travel film for people who do not like sci-fi.
As they journey into the heart of darkness in Iraq, their lives get hilariously complicated. Kevin Spacey ( A Bug's life ) is a villainous counterpart to Clooney.
Directed by Grant Heslov (token Arab good guy in True Lies ), this is a hilarious comedy-adventure with an all-star cast, a great soundtrack ... And Goats!
Suspects include Police Detective Randy Quaid, GF Kari Matchett and Publisher Giancarlo Esposito. Nikki DeBoer is the protagonist's sister, but her husband is a suspect! At least she wears flimsy silk.
This is divided into five chapters, each covering a one-hour segment.
Sebastian faces off with a school bully (Jack Black - Pick of Destiny ) in LA.
There are few sets, and the whole thing looks very cheap.
Martin Scorsese delivers an above-average suspense thriller based on a novel by best-selling writer Denis Lehane. However, despite the mainstream critics saying how good the twist is ... it's pretty predictable. Been done better a lot of times, in fact. P>
This is a typical Hollywood example of the supernatural suspense thriller, delivered by the producers of The Ring and the writer of Identity . They evidently wished to emulate the success of their earlier, far superior films. The Director is as much to blame as anyone, relying on the typical array of camera tricks in order to artificially generate suspense.
This is the story of Swan Lake, adapted in the traditional manner of showing the process of adaptation itself. Naturally, the protagonist becomes emeshed in the story, and begins to live it out.
Nina the Ballerina ( Natalie Portman ) finds herself turning into a swan (like Jeff Goldblum in the David Cronenberg version of The Fly ). She is trapped in a stiffling relationship with her control-freak mother ( Barbara Hershey ), which accounts for her immaturity and anal retentive behaviour. Her director (Vincent Cassell - Brotherhood of the Wolf ) and a friendly rival ( Mila Kunis ) try to get her to loosen up and unleash her dark side ...
This, of course, leads to the predictable halucinations and tragic decline into insanity that we have seen in so many other films. Darren Aronofsky may have seemed original when he delivered Requiem for a Dream a decade ago, but there is nothing new here.
This film was much-awaited, with fans clamouring for cult director Tim Burton to do a 3-D rehash of Lewis Carroll's classic (i.e. Public Domain!) childrens' novel. However, the biggest fans seem quite disappointed. The Film seems to be making its money based on the visuals - the CGI and 3-D effects are magnificent, but expensive - and thus a ticket for this will add more to Box Office Takings than a ticket of a 2-D film would. The problem is that the story is quite simplistic. Earth-person goes to alien landscape and helps local rebels overthrow dictatorial usurper. Sound familiar?
Alice is pursued by the Creepy Thin Man (Crispin Glover) from Charlie's Angels . He serves the Red Queen ( Helena Bonham Carter ), who seems to be channelling Miranda Richardson 's portrayal of Elizabeth Tudor in Blackadder 2.
The Mad Hatter (Johnny Depp - Pirates of the Caribbean ) is a leader of the Resistance, with flashes of Braveheart emerging sporadically through his OTT insanity. He wants Alice to help restore the White Queen ( Anne Hathaway ).
Unfortunately the shipping company is owned by Alice's ex-fiance, the poor (well, unfortunate) fool that she spurned at the altar. She sees the blue butterfly, and follows him through a looking glass ...
The White Queen ( Anne Hathaway ) wants Alice to help restore the Mad Hatter (Johnny Depp - Pirates of the Caribbean ), whose OTT insanity has been driven into overdrive. He thinks that Alica can save his family, even though they were killed by the Jabberwocky many years previously.
Alice descends into the Underland, steals a time-machine from Sasha Baron Cohen and travels back to meet the younger Hatter and his family. Can she save them?
This is a typical 1970s family comedy from Disney. The climax has tons of slapstick, with the work done by the actresses' stunt doubles.
This came out around the same time as Vice Versa , the Judge Reinhold flick with a similar concept. Hanks worked hard to change his screen persona, choosing supporting roles in dramatic films like A League of Their Own, while Reinhold kept going for comedic roles.
In a lightweight thriller subplot, Swoosie Kurtz is hunting for the magic skull. If she steals it, the protagonists will be unable to change back.
There are a few familiar faces. The boy's mother is a young-looking Lois from Malcolm in the Middle.
The Village is a remote, isolated cluster of wooden houses. Its inhabitants are Amish-style folks led by the Elders - Edward Walker (William Hurt - Incredible Hulk ), Alice Hunt ( Sigourney Weaver ) and August Nicholson [Brendan Gleeson - Harry Potter and the Goblet of Fire ). It is unclear what century this is set in, but the Villagers live in perpetual fear of Monsters that live in the woods.
Five people get trapped in an elevator. It turns out that one of them is the devil himself, come to claim the souls of the unwary.
The blood is mostly off-screen. While one might laud the use of suspense instead of a reliance on gore, the reality is that in this case the film seems anti-climactic as a result.
The visit takes place in a remote farmhouse. This remoteness is part of the standard setting for suspense movies. Naturally, they cannot get cell-phone reception. Surprise, surprise. However, the old-timers actually have broadband internet so the kids can plug in a laptop and use skype to talk to their mother! This is a nice twist on what is becoming a modern clichť, and actually plays an important part in the plot. Also, it illustrates that modern thrillers tend to use 1970s plots, disregarding modern technology (with the notable exception of the 24 television series). The term Techno-Thriller cannot generally apply to most modern thrillers, which is ironic considering that Blade Runner was set only a few years from now.
M Night Shyamalan was once the master of the twist ending. However, in this effort the structure has been changed - and not for the better. The twist reveal is done at the end of the second act, merely setting up a lacklustre climax.
This was directed by M Night Shayamalan , although the trailer is careful not to mention that fact. There is a lot of setup for several different amazing twist endings, but somehow the film manages to avoid all of them.
It is 1944 in Franco's Spain. A young girl accompanies her sick mother and her wicked stepfather (Captain of Franco's cops) to a new home at a remote village in the mountains. The girl has magical encounters with a Faun and other supernatural creatures.
Meanwhile, the Allied Armies are liberating Europe. But the Communist resistance do not want to risk their lives fighting against the Nazis, so they spend their time harrassing the Spanish police instead.
Five years later, the girls are discovered. They are nearly feral, but after a few weeks with a shrink they are suitable for suburban living again. Their uncle (Nicolai Coster-Waldaj - Game of Thrones ) gets custody of them. But they spend most of their time with his girlfriend Jessica Chastain . Yes, with a couple of exceptions (men who are quickly written off) the cast is mostly female.
This was produced by Guillermo Del Torro , and has his trademark creepiness. However, despite being spine-tingling it is actually a PG-13, due to its low body count and lack of gore. Thus it unhappily straddles two worlds (not unlike the ghost herself) - too scary for a family film, too bloodless for a full-on horror.
They move to his family home, a massive decrepit pile in rural England. She does not bother to ask what its nickname is before she moves in.
The problem is that the prologue establishes that the ghostly presence in the film is a death omen. This means that the cliched twist is not a twist, and the story is completely straightforward.
At first the monsters are not shown on-screen, instead portrayed as sinister whispers from the shadows. Later they come out as claymation-looking figures,
A young girl goes to live with her father (Guy Pearse - LA Confidential) and stepmother ( Katie Holmes ) as they renovate an old mansion. However, the basement is infested with Tooth Fairies. These are like evil versions of the Pictsies in Terry Pratchett Ďs Wee Free Men .